Meet Bergis Jules!

Bergis Jules, University and Political Papers Archivist at the University of California, Riverside

by Jessica Purkis

Recently, I had the chance to catch up with Bergis Jules, the University and Political Papers Archivist at the University of California, Riverside. Bergis manages UC Riverside’s institutional records, political papers collections, and African American collections. While supporting the university’s administration and community outreach efforts, Bergis documents campus history and builds collections around local, regional, and state political organizations in California. As part of his work, he is constantly reaching out and educating to build better donor relations and more diverse collections.

Bergis views his work in archives as a way to build ties between communities and ties between community members. He believes that archives and cultural heritage materials can bring people together, especially when those materials are “put into the hands of those who teach.” Without enhanced accessibility, some users might never encounter these materials (or communities) at all. To build ties, outreach and advocacy are essential. By creating a space for conversation, an archivist can build trust and discover a community’s particular needs. The most important aspect of any outreach or advocacy project, Bergis reminds me, is “putting people and communities first.” No matter the medium, digital or old-fashioned face-to-face, conversation comes first. Bergis believes that collaborating and conversing with smaller communities holding diverse materials is the best form of advocacy that an archivist can perform at a large repository. The best way to do this, he adds, is to learn to listen to the communities that keep the materials.

Because listening facilitates collaboration, Bergis suggests that listening itself is a great way to find new strategies for outreach and advocacy. An archivist can learn a lot from other projects by asking about what has worked and what hasn’t, and then seeing what spaces may be left behind that provide new project ideas. Bergis has had a lot of success learning about new projects through networks of archivists on Twitter. According to Bergis, following the networks on Twitter is a really effective way to find out about and collaborate on all kinds of projects, including grassroots archiving. Bergis himself is very active on Twitter, and can be found at @BergisJules.

In the past, Bergis has helped build collaborative communities around collections from underrepresented groups. He has worked at the Black Metropolis Research Consortium at the University of Chicago and also at the District of Columbia Africana Archives Project at George Washington University. At the BMRC, he was Project Director, and helped create a digital repository of collections documenting Chicago-area African American and African diasporic materials. Bergis wrote a grant to jumpstart the DC Africana Archives Project, increasing access to collections documenting the history of the African diaspora in the DC area. Both projects have been incredibly successful in enhancing accessibility to materials. More recently, Bergis has helped develop Documenting the Now, a tool for archiving tweets, to help document diverse perspectives on social justice issues.

DocNow is a tool and a community developed around supporting the ethical collection, use, and preservation of social media content.

Bergis therefore brings a long-standing commitment to community-building and diversity to his work at UC Riverside’s Archives, located in the UC Riverside Library. The library holds more than 275 manuscript collections, including personal, family, and organizational records. The university collects materials that document a wide variety of experiences in the US, particularly in the Inland Empire Region, an area in inland southern California east of Los Angeles. Some of the strengths of Riverside’s special collections lie in the history and culture of the Inland Empire region, Latin American history and culture, and ethnic studies, which document African American, Native American, Asian American, and Chicano/Latino experience.

UC Riverside currently spearheads the Inland Empire Memories consortium, a group of cultural heritage institutions located in the Inland Empire. Bergis is the Project Coordinator there. He writes grants and manages the program day-to-day in conjunction with the other member institutions. Because the consortium was established recently, right now Bergis spends much of his time listening to the consortium’s members, gathering data along the way about their projects and interests, their resources, and their ideas for later programs. Bergis is currently helping to facilitate the Sherman Indian High School Museum’s project to digitize some of its collections and provide its users with new levels of access.

In future, the Inland Empire Memories institutions intend to collaborate to share funding, develop access tools and programs for digital collections, and build relationships with other community institutions. The Inland Empire Memories mission is “to identify, preserve, interpret, and share the rich cultural legacies of the Inland Empire’s diverse communities” by enhancing access to cultural heritage materials. It emphasizes materials documenting “peoples and groups underrepresented in the historical record.” Increasing diversity in the archival record, I have come to find, is something of a theme in Bergis’ work.

It’s through listening that Bergis has had such success collaborating with others to promote access to a more diversified historical record. I expect that the Inland Empire Memories Consortium will become as active as the Black Metropolis Research Consortium and the DC Africana Archives Project in enhancing access to new materials. I hope to hear about many more projects from its members in the future!

Sarah E. Dunne of the Owls Head Transportation Museum

 

Sarah E Dunne, Archivist for the Owls Head Transportation Museum

by Nicholas Glade

The Owls Head Transportation Museum is a unique institution; therefore, it needs an archivist willing to step up to a variety of tasks and challenges. Enter Sarah Dunne! As a head Archivist, she performs a wide variety of different activities each day to keep the museum, archives, and library up and running. On any given day Sarahmight be doing any combination of the following things: cataloging, tracking down WWI memorabilia from Maine politicians, digitizing archival materials, supervising volunteers, or working with maintenance crews to keep bi-planes in working order, as well as arranging research partnerships with New Zealand and Japan. Of course, these tasks are just the tip of the iceberg of what Sarah Dunne does for the Owls Head Museum.

Since this museum is unique, Sarah has developed creative outreach programs that encompass a wide scope both thematically and geographically. A perfect example of the scope of Sarah’s outreach is a current project she is undertaking with an institution in New Zealand. This project aims to do a complete restoration of the Beech Staggerwing airplane used by Admiral Byrd for Antarctic exploration. On the library side of things Sarah is responsible for an impressive collection of manuals for vintage and antique vehicles. Since many of these manuals are rare and often relevant to vehicles in the museum’ collection, Sarah is also in charge of cataloging them and maintaining them in the museum’s library. These manuals also serve as an important outreach tool, since adding to them to the Owls Head collection involves reaching out to, or being consulted by, a variety of institutions and individuals. The upkeep needed for the vehicles means that Sarah often consults with her “gearhead” (a word used for car lovers and enthusiasts) friends and colleagues. As a result, her subject expertise goes well beyond the library field which conversely expands the museum’s scope of partnerships and collaborations considerably.

When it comes to collaborations within the museum field, Sarah has undertaken and initiated many interesting and effective projects. One of the most recent projects involved cross-promoting materials. Owls Head provided a scan of a WWI Scottish Royal Flying Corps pilot’s logbook in the museum’s collection to the RAF Museum in exchange for documents that provided more information about the pilot’s life and death. Another successful project involved an exchange with the Longfellow House in which Sarah not only provided their archivist with materials connected to a 1913 Rolls-Royce that first belonged to Alice Longfellow (daughter of the poet Henry Wadsworth Longfellow), but also, with the assistance of the museum’s Ground Vehicle Coordinator, arranged for the visiting archivist to get a ride in this very Rolls-Royce. The Longfellow House archivist generously provided Sarah with copies of correspondence between Alice Longfellow and Rolls-Royce. Sarah has also collaborated with the Owls Head Transportation Museum’s two neighboring institutions; the Knox Museum and the Farnsworth Art Museum. These collaborations are attempts to “mix the artists and the gearheads” and for the three museums to attract audiences that wouldn’t normally visit them. The most recent of these exhibits was called The Art of Disaster, and some of the Owls Head Transportation Museum’s archival material related to aviation crashes and train wrecks was displayed alongside artwork from the collection of the Farnsworth Museum and from private collectors.

Due to the small population and community feel of Owls Head, Maine. Sarah also does community outreach and programming work. The museum’s antique vehicles and airplanes often make cameo appearances at parades and events, with their vintage airplane flyovers being a crowd favorite. The museum hosts multiple events and cruise-ins, which help present their collection to a large audience. Sarah often contributes historic information and images to the promotional materials for these events. Sarah also works closely with families in the area and elsewhere that have connections to early transportation history, and has even gotten donations from the family of a former governor of Maine.

Sarah’s job involves some fundraising. This means she can sometimes be found writing grants or meeting with potential donors. She occasionally even uses Owls Head’s antique vehicles to pick up donors and guests from the airport next to the museum. Sarah also contributes to the museum’s biggest fundraising event: the annual New England Auto AuctionTM. This event features an auction of special-interest vintage and modern vehicles This event is extremely popular with car collectors in North America and beyond (some phone bidders call in from Europe), and in turn an extremely well attended and popular summer event in Maine.

 

Jade Pichette, Volunteer & Community Outreach Coordinator

Jade Pichette, Volunteer and Community Outreach Coordinator, CLGA

by S.S.

Meet Jade Pichette, Volunteer and Outreach Coordinator for the Canadian Lesbian and Gay Archives (CLGA). Although Pichette’s background in social work might make them an outlier in the archival field, they see this atypical professional experience as an asset. Pichette’s work in nonprofits, and especially their work in anti-oppression advocacy and education, strongly informs their approach to archival work. In pursuit of an organizational mission to serve as a resource and catalyst for progress for LGBTQ+ people, the CLGA works to collect, preserve, and make available materials created by or about the LGBT community. Through their outreach work, Pitchette works to ensure that CLGA’s mandate: to preserve the history of marginalized people – is fulfilled in a way that is equitable and inclusive.

When asked what their ‘average’ day at CLGA looks like, Pitchette’s response resonates with those familiar with community organizing: “I don’t have one.” CLGA’s outreach efforts and volunteer activities bring the community into the archives through diverse and dynamic programming, from leading neighborhood walking tours to curating themed exhibitions.

Pitchette’s work has allowed the CLGA to develop strong partnerships with community organizations, including with the Elementary Teachers Federation of Ontario, which has recently worked with the archives to create timeline of LGBTQ history in education. This material reached the Federation’s 7,000 members across Canada. Going forward, the archives and the Federation plan to collaboratively design workshops to help teachers integrate more LGBTQ history into the elementary level curriculum are underway. This partnership harnesses the strengths of both sides – the Federation has curriculum design expertise; CLGA brings their LGBTQ history expertise – and is focused through Pitchette’s anti-oppression framework, emphasizing an equitable lens that traces history beyond dominant, mainstream narratives.

Without outreach that is “explicitly centered in anti-oppression and anti-racism,” says Pitchette, community archives can be vulnerable to “reproducing only the perspectives of those who work or volunteer,” and in turn representing only those perspectives in collections. By reaching out to non-white and non-cis-gendered communities in acquisition, and by helping update collections policies to demonstrate an explicit interest in records from intersectionally marginalized communities, Pitchette has worked to ensure collections represent a diversity of viewpoints. Aside from collection development work, Pitchette also focuses on the reference interactions patrons’ have with CLGA’s board members, staff, and volunteers on a daily basis. By instituting mandatory diversity and inclusion sessions and a strong volunteer policy, Pitchette aims to foster a welcoming environment at CLGA, and create an organizational culture that values inclusion.

CLGA currently seeks proposals for a consultant to aid in their selection of a new name. Their current name – the Canadian Lesbian and Gay Archives – can be seen as at best unwelcoming, and at worst exclusionary, of people who don’t identify as specifically “lesbian” or “gay.” CLGA’s stated goal of the upcoming name selection indicates a desire to “better reflect [their] mandate to support the archives of LGBTQ2+ people.” This name change can itself be seen as a form of outreach, aiming to identify the organization to those whose history it seeks to preserve.

Ultimately, Pitchette sees inclusive outreach as imperative to the survival of community archives, as well as one of the major challenges in the archival field. They feel that the profession as a whole needs to come to think of outreach as integral to the work of archives – and as something that is directly connected to funding. New professionals coming through MLIS programs can help push the conversation to the fore of the profession, pushing for recognition of outreach as a necessary component of a functioning archives. Outreach is essential to help people – especially marginalized people – see that their histories are valuable, an essential step towards preserving those stories for the future.

 

 

Get to Know Bill Barrow and the Cleveland Memory Project

Greetings from Luna Park
Postcard from the Postcards of Cleveland Collection, part of the Cleveland Memory Project. Credit: Michael Schwartz Library, Cleveland State University.

by Jessica Chapel

When Bill Barrow was a child growing up in Cleveland, an electric sign on the city’s West Side lodged itself in his memory. A tipped bottle of milk poured light into a glass, advertising Dairymen’s Milk, a local company. “I keep asking the world for a photo or a home movie,” Barrow told the Cleveland Plain Dealer in 2012.

He isn’t asking the world for a photo of that milk bottle sign out of nostalgia. Barrow, the Head of Special Collections in the Michael Schwartz Library at Cleveland State University, oversees the Cleveland Memory Project, a digital repository of images, oral histories, documents, and other materials chronicling the history of Cleveland. The centerpiece of the Cleveland Memory Project is the 500,000 photographs in the Cleveland Press Collection, a trove that spans decades of city life.

Launched in 2002 by the Schwartz Library in partnership with community organizations throughout Northeast Ohio, the Cleveland Memory Project has been a collaborative effort from the start, said Barrow, and outreach and advocacy work has been key to building the repository both within the library and the community.

“Not much would get accomplished if I tried to run Cleveland Memory entirely out of Special Collections,” said Barrow, explaining that he’s as motivated by idealism as he is by pragmatism. “I have an old Sixties notion of community organizing and participatory democracy fueling this all-together-now approach.”

Barrow, who holds a master’s degree in history from CSU and a master’s in library science from Kent State University, began working with the Cleveland Press Collection as a graduate student in 1993; in 1994, he was hired to process the Cleveland Union Terminal Collection at Schwartz. Both collections became part of the library’s Special Collections department when it was created in 1999, the same year Barrow was brought on as Special Collections Librarian.

The Cleveland Memory Project grew out of earlier efforts to digitize and make local history collections accessible, and a long list of teams across the Schwartz Library and CSU — including Digital Production, Discovery Services, Multimedia Services, and the Law College — was engaged to make it real.

Keeping that early momentum going remains a priority. “The Cleveland Memory Team has meetings monthly at least 11 times a year and is very well attended,” said Barrow. “We use it to keep everyone abreast of relevant developments and to discuss new project proposals.”

It’s that engagement that gives Barrow reason to believe the work of the Cleveland Memory Project will continue well into the future. “The challenge is always money. I’d gone to library school at age 48, so recognizing that my economic life as a librarian wouldn’t be 50 years, targeted my ambition on trying to get as much of the print-based local history resources into the digital realm as I could,” said Barrow.

“There’s still tons to be done. More money, more staff, more everything, would push that job closer to completion. But with the Cleveland Memory Team functioning so well, I think they’ll carry on, state budget permitting.”

Barrow cautioned that buy-in can’t be taken for granted. “Silos are always a problem, whether because of territoriality or lack of conviction that [an institution’s] mission calls for working with others.”

Collaborating with the audience also matters. When work on the Cleveland Memory Project began, “we started with those [topics] we knew the patrons most often requested when they came into Special Collections. We have a feedback loop where people can ask questions, correct mistakes, or volunteer collections to donate,” said Barrow.

“We have allowed other libraries, historical societies, government agencies and even individuals to mount material in Cleveland Memory, which helps us focus outward more. The idea is not to have a show-window where the CSU staff decides what the people want to see, but rather a community stage where we invite colleagues at other institutions to put material up from their holdings.”

Barrow plans to keep finding ways to bring the larger community into the archives. He gives talks around the region, speaking to civic groups about the Cleveland Memory Project and Special Collections. He’s made use of a blog and a newsletter — as well as Facebook and Twitter — to connect with the Cleveland Memory Project’s audience.

And to connect with donors, who have added their items and memories to the repository. If the world hasn’t yet come through with a photo or video of that old electric sign for the Cleveland Memory Project, longtime Cleveland denizens did with reminiscences when Barrow put out the call on his blog. Dairymen’s Milk still haunts more than a few people’s dreams.

Looking ahead, Barrow’s thinking about how to make collections more available to the public.

“I’m coming around to an access mode for Special Collections, rather than a preservation one,” said Barrow. “While still acknowledging the importance of preserving primary sources, I’m opting for a model whereby Special Collections is the repository of material destined for digitization and access. To me, preservation has always been only a long-term access strategy and now, with digital technologies, we can provide superior access without particularly compromising the preservation factor.”

Meet Andrew Elder!

Andrew Elder, Interim University Archivist and Curator of Special Collections, University of Massachusetts Boston

by Julia Newman

Currently serving as the Interim University Archivist and Curator of Special Collections at the University of Massachusetts Boston (UMass), Andrew Elder recognizes the importance of outreach and advocacy within the archival field. His entry into the archives was sparked by an interest in activism and the ways history is constructed through the use of archives. He explains that he lacked the personality of a conventional activist and thus found a way to fulfill his interests through involvement with archives that provided communities an opportunity to document their own stories. Andrew’s personal and academic interests lead him to Simmons College, where he completed his Master’s of Science in Library and Information Science with a concentration in Archives Management. As a professional archivist, Andrew stays engaged with his work by dedicating his free time to community archives and volunteer organizations.

After moving to Boston, Massachusetts in 2006, Andrew began working with the History Project: Documenting LGBTQ Boston through an internship. He continues to support this all volunteer organization as an archivist, member of multiple subcommittees and a co-chair of the Board of Directors. Andrew explains that the History Project’s mission is to document and preserve the history of the community, but more importantly the organization is concerned with actively sharing their archival materials with members of their community and the general public. The History Project provides free and paid public programming, and Andrew remains involved in the planning and outreach integral to such programs. He is currently working on the 2017 HistoryMaker Awards, an event he helped launch in 2009 that was held on October 11, 2017. Andrew’s involvement with this event also includes script writing, design work and the never-ending struggle to balance the politics and mission of the organization. For some, his involvement with this organization would be enough to constitute a full-time position, but yet Andrew manages to find time for this work beyond the many requirements of his current position at UMass Boston.

Boston History Project

In August of 2017, Andrew transitioned from Digital Archives and Outreach Librarian to the Interim University Archivist at UMass Boston. This move required that Andrew shift some of his duties to other colleagues, but he continues to engage in outreach and advocacy in his current position. Although his average day now includes managing his department and attending meetings about library wide initiatives, Andrew continues outreach work through face to face donor visits and advocacy efforts in fundraising strategy sessions. Further, Andrew is also involved in the Mass. Memories Road Show, a digital history project supported by UMass Boston that offers communities throughout Massachusetts an opportunity to bring in photographs to be digitized and compiled into an open archive. This program demonstrates the services archives can offer to communities wishing to document their own history. In reference to community projects, Andrew understands the significance of remaining respectful of a community’s right to establish their own archive separate from formal institutions. Archives should work to support community organizations or archives through outreach and advocacy without imposing on these communities.

For Andrew, outreach and advocacy remain part of his personal and professional involvement with the archives. He stresses the importance of being an archivist that talks about archives in order to communicate the value of archival institutions, and to persuade others to see the value in their potential contributions to archives. Andrew views archival work as a public service for it also allows individuals the chance to gather more information about something new. Andrew explains that successful public programming surrounding the archives should allow for discovery, but should also be entertaining in order to hold attention and increase engagement. In outreach development, Andrew also states the value in communicating with other professionals in the field. He recognizes that archivists and other information professionals face numerous pressing issues on a daily basis, but reiterates the importance of a commitment to outreach and advocacy within archival work. This includes creating regular content, maintaining social media, working with volunteers and fundraising. Largely, Andrew encourages more individuals in the archival field to look beyond the archive for outreach and advocacy opportunities. 

Within the archival and larger information field, Andrew demonstrates the capacity of archivists to support outreach and advocacy work in their professional and personal lives. Although Andrew maintains a busy work life at UMass Boston, he continues to dedicate his time and energy to community-led archives and programs. He is certainly doing as much as he can to advocate for archives and demonstrate respectful outreach work.