![\"\"](\"https:\/\/slis.simmons.edu\/naresh\/wp-content\/uploads\/2012\/05\/rainbow-tn.jpg\")
<\/a><\/td>\n![\"\"](\"https:\/\/slis.simmons.edu\/naresh\/wp-content\/uploads\/2012\/05\/taj-tn.jpg\")
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<\/a><\/td>\n![\"\"](\"https:\/\/slis.simmons.edu\/naresh\/wp-content\/uploads\/2012\/05\/taj.jpg\")
<\/p>\n
Many of you have seen this painting in various stages of completion and have contributed to it in one way or the other. Though nothing out of the ordinary and with less than a month’s painting time, it was completed over a span of 5 1\/2 years and ended up travelling quite a bit.<\/p>\n
It started its journey in June 1997 from India (Sikkim to Calcutta) to Singapore (1997: NTU Hall 6, 1998: Hall 8, 1999: 90 Tanjong Katong) to Hong Kong (2001) to California, USA (2001) and then back to Singapore (2002: 90 Tanjong Katong, Normanton Park) where it finally saw the light of the day.<\/p>\n
India – 8-10 days of painting time<\/h2>\n\n- The canvas was prepared by Mr. Sirdar Abdullah Khan and presented by his son Reza to me on my birthday in Sept 1993 (positively…or 1994)<\/li>\n
- The canvas lied behind my clothes in my wardrobe for years until I went home for vacation after NTU 2nd year and started the Taj Mahal on it<\/li>\n
- 1997: It was the 50th year of India’s independence and I wanted to contribute something in my own way – thought of painting the Tricolor with something very Indian in the centre.<\/li>\n
- Inspiration from a Nigel Hicks photograph of the Taj Mahal at sunrise (India, Toby Sinclair) – book borrowed from Devraj daju\/Ingchuk while I was visiting Sanjog in Gangtok<\/li>\n
- Painting started at Anita didi’s place on June 18 and continued in Ajay daju’s room<\/li>\n
- A carpenter in Gangtok made a wooden frame for Rs 200 (S$8)<\/li>\n
- A well-wrapped canvas with the Taj and the orange sky travelled by bus through a landslide-hit route from Gangtok to Siliguri, by train (I think) to Calcutta and by air to Singapore<\/li>\n<\/ul>\n
\n\n\n\nSingapore – 9 days<\/h2>\n\n- Painting aids presented by Prateek, Vasu, Lodha: copy of Toby Sinclair’s India and an easel<\/li>\n
- The mosque at the left was painted in Hall 8 (1998-99) (2 days)<\/li>\n
- The hill on the left, the rest house and part of the foreground was done in 90 Tanjong Katong and the sky was redone (7 days)
![\"\"](\"https:\/\/slis.simmons.edu\/naresh\/wp-content\/uploads\/2012\/05\/pardes.jpg\")
<\/a>
\ninspiration for the sky (click for larger image)<\/li>\n<\/ul>\n<\/td>\n![\"\"](\"https:\/\/slis.simmons.edu\/naresh\/wp-content\/uploads\/2012\/05\/incompletetaj1.jpg\")
<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nHong Kong – April 2001<\/h2>\n\n- During my 2-day stopover in
\nHong Kong, the Taj went from the airport to Parimal’s and Pranay’s
\nplace in Kowloon island.<\/li>\n - I went through one of the toughtest
\nPR-exercises convincing the SQ-staff to take the painting on board
\nin a full-flight to San Francisco<\/li>\n<\/ul>\nSanta Clara, California, USA<\/h2>\n\n- The painting remained in the
\nPatricia Drive guest house until after the Sept 11 attacks in New
\nYork<\/li>\n - When I left for Hyderabad in
\nSeptember last week, Pallavi and Puneet became its custodians and
\nkept it safely with them<\/li>\n<\/ul>\nSingapore – October 2002 (5 days)<\/h2>\n\n- Puneet and Pallavi drove to
\nFremont to deliver the painting to Vivek Vedagiri, who carried it
\nto Singapore in his luggage<\/li>\n - It remained in Tanjong Katong
\nuntil November 2002, after which I moved it to Normanton Park<\/li>\n - In Jan 2003, when Sony didi
\nstopped over in Singapore on her way to Prateek’s wedding, told
\nher that it’ll be finished soon<\/li>\n - The last person to see it in
\nits dormant stage was Sien Hong I guess<\/li>\n - Finished it over five days in
\nJanuary<\/li>\n - Harry, Shin Ye and Andre were
\nthe first critics<\/li>\n - What started at Anita didi’s
\nand Kamal jeejajee’s place got completed on their 10th wedding anniversary
\n– 28 Jan 2003<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"paintings-journey-exhibitions – oil | watercolor | acrylic | pencil | charcoal | pastel Many of you have seen this painting in various stages of completion and have contributed to it in one way or the other. Though nothing out of … Continue reading
\nSingapore – 9 days<\/h2>\n<\/a>\ninspiration for the sky (click for larger image)<\/li>\n<\/ul>\n<\/td>\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nHong Kong – April 2001<\/h2>\n\nHong Kong, the Taj went from the airport to Parimal’s and Pranay’s \nplace in Kowloon island.<\/li>\n \nPR-exercises convincing the SQ-staff to take the painting on board \nin a full-flight to San Francisco<\/li>\n<\/ul>\n Santa Clara, California, USA<\/h2>\n\nPatricia Drive guest house until after the Sept 11 attacks in New \nYork<\/li>\n \nSeptember last week, Pallavi and Puneet became its custodians and \nkept it safely with them<\/li>\n<\/ul>\n Singapore – October 2002 (5 days)<\/h2>\n\nFremont to deliver the painting to Vivek Vedagiri, who carried it \nto Singapore in his luggage<\/li>\n \nuntil November 2002, after which I moved it to Normanton Park<\/li>\n \nstopped over in Singapore on her way to Prateek’s wedding, told \nher that it’ll be finished soon<\/li>\n \nits dormant stage was Sien Hong I guess<\/li>\n \nJanuary<\/li>\n \nthe first critics<\/li>\n \nand Kamal jeejajee’s place got completed on their 10th wedding anniversary \n– 28 Jan 2003<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":" paintings-journey-exhibitions – oil | watercolor | acrylic | pencil | charcoal | pastel Many of you have seen this painting in various stages of completion and have contributed to it in one way or the other. Though nothing out of … Continue reading |